WEBVTT

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We were able to use this continuum with our teachers and we made sure that they were inserviced

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on this continuum and had lots of ideas on how to teach each one of these items

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on this phonological skills continuum.

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And we also made sure that they understood that up

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above this continuum-which is really auditory,

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and that we want them to emphasize this auditory piece-that up above this is the phonics piece.

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For teachers, the sound symbol is just so logical.

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And so we have to encourage people to back it up so

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that they do cover the auditory piece of phonological awareness.

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It's very important that you meet the child where they are

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and that you emphasize what they understand, keep reinforcing that,

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because even the brightest child can have days where this isn't as clear as it should be.

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You need that repetition.

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You need that repeating in a variety of ways.

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I wouldn't want to indicate that you do it the same way,

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but you draw them into that kind of thinking with a lot of different materials and strategies,

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but you keep bringing them back to it so that it becomes very, very solid,

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and so that it becomes automatic,

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that it's so known to the child that they automatically use it.

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One of the harder pieces on the continuum is the segmenting and the blending.

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We always have encouraged our teachers that when you segment you want to blend it back together.

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You don't want to leave it hanging out there segmented apart.

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So you want to bring it back together.

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Now, naturally, you can do a lot of segmenting,

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whether you're segmenting words out of a sentence, which is where you need to begin,

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then you're moving two syllables in a word.

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And then you're moving into phonemes, which is each individual letter in the word.

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And then you're moving into the manipulation of the phonemes within that word.

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You can have bodies, you can have children that are each word in the sentence

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and there's a space between them, because you want to show that.

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You could have squares of carpet that children stand on or hop on.

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You can have children clapping, which is totally auditory

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with no visual clue except your hands coming together.

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But you need to know what to do or your hands aren't going to come together at the right time.

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The auditory emphasis, you need to spend time on it.

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And you have to have lots and lots of materials.

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So what we do is we pick things that they can manipulate.

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Here we've chosen blocks.

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We've chosen a green block because that begins a sentence or begins a word.

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We've chosen a yellow block because that's somewhere in the middle of everything we're doing,

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whether it's the sentence or the word.

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And then we have the end.

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And red is associated with stop, so we have all these quiet messages being given to the child.

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So we might have the sentence, "I love you."

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And we ask the child, "Where is 'I'?

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Where is 'love'?

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Where is 'you'?"

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We could ask that out of order and then, "Let's read it together.

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'I love you.'" And so we sweep so that a child is getting a left to right.

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When teachers go to plan, they need to have, number one, their whole class in mind.

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Where is my whole class?

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And they need to have each individual in mind because they need to be able to plan

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that whole lesson-that might be at their circle time,

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that's very brief and introduces the whole class to something on the continuum,

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perhaps alliteration-but then they need to know what they're going to do with each individual

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when they break them into small groups.

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So, you're never wasting a child's time to go back to the auditory piece.

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In fact, you're going to have to revisit it over and over again,

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even if a child is very strong in sound-symbol relationships.

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So you never put the continuum away.